Ever heard of 140 Jungle?  No, neither had I.  But if you’re anything like me, you’ll be glad that you have now.  A multi-monickered genre essentially reminiscent of – I imagine – 4am in the quiet backroom at Dreamscape in the early 1990s, it’s a rolling, slo-mo collection of breaks ‘n’ bass that’s as at home in your lounge at 1am on a Thursday as in a grimy tent in a forest.  Just as well, because the former is where it sat on heavy repeat just this morning.

The Hardcore Lives crew dropped me a promo of their latest offering just yesterday and it’s quite unlike anything I’ve heard – from them or otherwise – for some time, and all the better for it.  As dark and minimal as the cover implies, yet retaining a head-nodding accessibility and memorable bassline that leaves you reaching for Repeat.

A Roni Size-esque rumble underpins There’s Something Out There‘s minimal stylings, gaps between percussive breaks filled with sirens, telephone and ragga shouts evocative of jungle history.  Thin, lush pads, looped 30s horror-movie backgrounds and the occasional horn leave the listener’s old-skool desires satisfied.

Does progressive drum ‘n’ bass exist?  If so, The Plan is a great example.  Building around the rise and fall of a wonky, lethargic but catchy riff alongside choppy amen, an intriguingly quiet 4/4 pushes the tune along at an urgent pace.  A sparkling secondary synth line adds an unexpectedly sparkling atmosphere, and it’s easy to expect the whole tune to be verging on a big breakdown or reveal – that this never happens it’s no bad thing.  For me, this is the gem of the two; extremely listenable indeed.

The Plan E.P. is out soon on Hardcore Lives Records.